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From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general

A pull-out from the classic Carols and Lullabies collection, this traditional Spanish carol in four parts also includes English text. The accompaniment includes marimba, harp, and guitar for a truly

Based on a traditional Brazilian song for Dia dos Reis (Day of the Kings, i.e. Epiphany) that accompanies the folk celebration known as Queima da Lapinha in which people disassemble their Nativity scenes

Here's a sparkling rendition of the traditional English carol that is sure to be a holiday concert highlight! The dazzling piano accompaniment frames the piece and the choral harmonies are bright and clear.

A familiar text from Lessons and Carols services in a brand new setting. Unexpected tonality shifts and waves of building tempos lead to a final climax of "Deo gracias!" A quintessential Advent addition to

Gabriela Martínez's poetry about the loss of her beloved is crafted into a lilting a cappella number with lush harmonies. Resolving dissonance and a soprano solo further bring the poem's meaning to

Perfect for the Advent season and beautifully enhanced by handbells, this anthem incorporates the well-known carols Let All Mortal Flesh Keep Silence and Angels from the Realms of Glory

A triptych of pieces for harp (or piano) and SATB divsi chorus using texts by poet Christine Schenk. Her version of the "O Antiphons" provides a means of contemporary reflection on those ancient texts. The

In Sara Teasdale's poem After Love, the opening line "There is no magic any more" establishes the theme of vanishing love. This setting of the poignant text, in the dark key of D-flat major,

With an original poem by Sensei Kazuaki Tanahashi in both Japanese and English, this meditative piece uses ideas from Zen practice to focus on the heart and mind through music. Using repetition like a

Agnus Dei is the fifth movement from Narverud's Misse de Cinque Terre, but stands on its own as a unique setting of this traditional Latin text. The work is inspired by five Italian

This selection combines the traditional with 21st century expression and looks to the eternal with hope and glorious musical vision. Lovely soaring lines in each vocal part create a beautiful choral

Agnus Dei is the fifth and final movement of Dr. Thomas' Mass: A Celebration of Love and Joy. The text is in English, and the supercharged piano accompaniment supports the traditional

Originally written for the Phoenix Chorale in 2010, this shortened version of Ola Gjeilo's Agnus Dei embraces its peaceful and introspective spirit. The full divisi texture and Latin text are great

Based on a traditional Hawaiian chant with original music, this rousing work for advanced treble choirs brings all the drama of a volcanic eruption normally associated with destruction. But in Hawaiian

A dynamic a cappella world music selection featuring a call and response solo, optional improvised percussion and movement, and a divided choir option. The song is a traditional South African celebratory

Ideal for advanced choirs, your singers will enjoy the challenge of new harmonies while singing this very familiar tune. A wonderful choice for dedication services, Earth Day, or any general service or

The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,

A true classic, Luboff's lush and distinctive a cappella arrangement of the traditional Bahamian spiritual is a standard in the choral performance repertoire. The treble version has been adapted by James E.

This rousing English music-hall song was arranged for the hit television production of Agatha Christie's Why Didn't They Ask Evans? The song accompanies the final wedding scene and is full of joy

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

Using "Alleluia" as the sole text, this piece takes the listener on a journey from a fanfare opening to a reflective middle and a triumphant end. Commissioned by the Orpheus Chamber Singers, this

The ancient joy-filled word "Alleluia" is paired with contemporary harmony and gently syncopated rhythms that sometimes function as an ostinato. Independent parts weave in and out to create a brilliant